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Mission Impossible – Rogue Nation: Film Review Thanks to a sharp script that springs a real surprise or two and a pace that never slackens, Mission: Impossible – Rogue Nation rates as the second-best of the numerous franchise titles of the summer, after Mad Max: Fury Road. Armed with an absorbing mystery plot that does more than just connect the dots between action set-pieces (the most outlandish of which is dispensed with in a Bond-like opener), writer-director Christopher McQuarrie maintains the uptick in M:I quality established by the last two entries, and should land this entry within the series' customary range of a half-billion bucks worldwide. Working with Tom Cruise for the fifth time (if you include his uncredited rewrite on the last M:I feature, Ghost Protocol), McQuarrie benefits dramatically from extending the IMF team's official ostracization to a point of total disenfranchisement from the American government; in an early scene, the CIA chief (Alec B...

This time i am sharing the best review I've ever read Roy Review Spider-Man fans, turn away as we butcher your favourite quote for a great cause. *Deep breath* With great hotness, comes great power. Like the power to stop the audience from yelling 'WTF' even as they witness something mind-numbing and stupid. Arjun Rampal spends two-and-half-hours proving this fallacy right in Roy. Roy opens showing filmmaker Kabir Grewal (Rampal) giving an interview to Cyrus Broacha about his new film (Kabir's, that is). He is in a black blazer, black pants, white shirt and a black fedora. Full props to the film's stylists for lavishing so much thought and attention to the wardrobe of a man who only has to keep his jawline unharmed in order to look hot enough to give ladies and gentlemen so inclined hot flushes in the peak of Delhi winters. Kabir quickly proceeds to do a series of extremely nonsensical things that would render an average man unemployable and un...